改革开放以来的中国艺术被称为"当代艺术",它的确立和发展,与西方现代派艺术在中国的传播和接受直接相关。在中国视作西方现代派艺术的东西,包括了西方艺术发展中的现代派艺术和后现代艺术。这些艺术风格直接引发了当代西方的艺术终结命题。从这个角度来看,中国当代艺术在接受西方现代派艺术的同时,也接受了艺术的终结指向的基本话语。然而,中国艺术界对西方现代派艺术热情模仿,但对艺术的终结这一话题则反应寥寥。这与中国艺术界并不需要这一话题作为自己的话语资源有关。由此可知,在接受西方话语的过程中,中国从来没有丧失自己的主体性,一直以本土的文化现实需要为基本的接受前提。Since the reform and opening up,Chinese art is called"contemporary art".Its establishment and development are directly related to the spread and acceptance of Western modernist art in China.What China aims at is western modernist art,including modernist art and post-modern art in the development of Western art.These artistic styles directly lead to the debates about"the end of art".From this point of view,while accepting western modernist art,Chinese contemporary art also accepts the basic discourse of the end of art.However,Chinese art circles enthusiastically imitate western modernist art,but they have little response to the topic of the end of art.This is because Chinese art circles do not need this topic as their own discourse resources.Therefore,in the process of accepting western discourse,China has never lost its subjectivity,and has always taken the local cultural needs as the basic premise of acceptance.
机构地区西南大学文学院
出处《江西社会科学》 北大核心 2021年第1期74-81,255,共9页Jiangxi Social Sciences
基金国家社会科学基金重大项目“新时代中国特色美学基本理论问题研究”(18VXK010)
关键词西方现代派 艺术的终结 中国当代艺术 理论旅行
分类号J0 [艺术—艺术理论]
