摘要 集体型叙事的叙述人是复数的群体,或化身为复数群体的代言人,其并不是一种单纯的形式技巧,还与话语格局中的权力关系联系在一起,在同为弱势群体发言这个角度与"女性声音"有着某种内在的联系。当代女作家以"我"在场的方式进行的非虚构写作,具有现场感、真实感的同时,也增强了集体型叙事的话语力量,并或隐或显地传达了某种女性声音,对其辗转于"两个世界"之间各执一端的性别尴尬亦进行了一定程度的化解与修复。非虚构写作并非"去性别"的文类,其以性别在场的方式关注社会宏大命题,体现了女性写作在新世纪的新发展。 The narrators of collective narratives are a plural group,or they embody a plural group.This is not a simple skill of form,but it is connected to the power relationship in the discourse structure.From the perspective as the speakers of weak groups,they somewhat have internal relationships with"female voices".While the non-fictional writing in a way of"being"on the spot by contemporary female writers is of being at the scene and of real feeling,it also enhances the strength of discourses in collective narratives.It conveys some kind of female voices implicitly or explicitly,and somewhat resolves as well as repairs the gender embarrassment of their shifting between"two worlds".Non-fictional writings are not the writings of"de-genderization".They pay attention to the grand social themes in a way of gender being on the spot,illustrating the new development of female writing in the new century.
机构地区 山东师范大学文学院
出处 《南开学报:哲学社会科学版》 北大核心 2021年第2期159-166,共8页 Nankai Journal:Philosophy,Literature and Social Science Edition
基金 国家社会科学基金后期资助项目(19FZWB032)。
分类号 G63 [文化科学—教育学]
