摘要 社会主义建设背景下的电影创作迸发出表现劳动话语的热情与悸动。那不仅是点点滴滴积累的历程,更是意识形态和国家骄傲情感的集中浮现。电影被列入到生产计划以后,国家对电影产业实施了高度集中的管理。十一届三中全会以后,电影有了更为理性和自由的发展空间。改革开放给中国社会带来了显著的冲击和影响,商品经济改变了中国人的经济观念与消费观念。产业化兴起后,"大片"成为新世纪中国电影产业最为重要的现象,其后是现实主义的重归及对后工业时代进行的反思。 The creation of films in the context of socialist advancement stirred up a passion to represent the discourse of labour.It was not a journey accumulated in dribs and drabs,but a concentrated surfacing of emotions related to ideology and national pride.Films were included in the production programme and the state imposed a high degree of centralised management on them.The Third Plenary Session of the Eleventh Central Committee fully rejected the Cultural Revolution and the"black line dictatorship of literature and art"was overturned,giving cinema a more rational and free space to develop.The impact of reform and opening up on Chinese society became more and more pronounced,as the commodity economy changed the economic view and consumer attitudes of the Chinese people.Following the rise of industrialisation,the’blockbuster’became the most important phenomenon in the Chinese film industry in the new century,and with it the return of realism and reflection on the post-industrial era continued to emerge.
出处 《艺术百家》 北大核心 2021年第1期186-195,共10页 Hundred Schools In Arts
分类号 J90 [艺术—电影电视艺术]
