摘要 新世纪以来,中国电影在日本放映传播的接受效果参差不齐,但作为中国第六代导演代表人物的贾樟柯的电影在日本获得普遍好评,这一现象可以从高维、中端、低度三个层面加以审视。从中可以看出日本影评界对贾樟柯电影中的权力主体批判与新富阶层矛盾的关注,呈现偏重权力话语的意旨;同时在故乡崩溃与家庭重建方面与中方评论界取得了东亚文化谱系的共识;继而以底层叙事中死角里的微光和"非法的"生命力,实现从低度视角对人性的共同探索。藉此,以贾樟柯电影的日本传播为例,对思考如何降低中国电影域外传播的"文化折扣"有所启鉴。 Since the new century,the reception effect of Chinese films in Japan has been uneven.As the representative of the sixth generation of Chinese directors,Jia Zhangke’s films have been widely praised in Japan.The phenomenon can be examined from three aspects:high dimension,middle end and low degree.It can be seen that Japanese film critics pay more attention to the criticism of the power subject and the contradiction between the new rich class in Jia Zhangke’s films,showing the intention of focusing on the power discourse;At the same time,they have reached a consensus with Chinese critics on the East Asian cultural pedigree in terms of the collapse of hometown and family reconstruction;and then they realize the common understanding of human nature from a low perspective with the glimmer and illegal vitality in the dead corner of the bottom narrative Explore.Taking the Japanese transmission of Jia Zhangke’s films as an example,this paper gives some suggestions on how to reduce the"cultural discount"of Chinese films.
机构地区 江苏第二师范学院文学院 复旦大学新闻学院
出处 《艺术百家》 北大核心 2021年第1期204-209,266,共7页 Hundred Schools In Arts
基金 2020年度国家社科基金艺术学项目“新世纪中日二战题材电影比较研究”(项目编号:20BC038)阶段性成果 2020年度中国博士后科学基金第67批面上项目(项目编号:2020M670957)阶段性成果之一。
关键词 贾樟柯电影 日本放映 电影评论 底层叙事 文化折扣 Jia Zhangke’s Film Japanese Screening Film Review Bottom Narration Cultural Discount
分类号 J90 [艺术—电影电视艺术]
