摘要 汪曾祺小说扬名于1980年代中国文坛,其意义在于传承了中国古代文学的文脉,积淀着中华民族的审美精神,因而被有识之士称作“中国士大夫文化培养起来的最后一位作家”。汪曾祺将“文气”“逸品”说引进小说创作领域,开辟了中国小说的新境界和小说美学的新视野。他的小说无愧为“逸品小说”,同时也标志着“汪曾祺小说美学”之确立。 Wang Zengqi’s short stories became famous in the Chinese literary world in the 1980s.Their significance lies in inheriting the context of ancient Chinese literature,which has accumulated the aesthetic spirit of the Chinese nation.Therefore,he is called by people of insight“the last Chinese writer cultivated by the scholar-official culture”.Wang Zengqi has introduced“wenqi”and“yipin”into the field of fiction creation,opening up a new realm of Chinese fiction and a new vision of the aesthetics of fiction.His short stories are worthy of the title of“elegant short stories”that have also marked the establishment of“Wang Zengqi’s fiction aesthetics”.
机构地区 北京教育学院人文与社会科学学院
出处 《北京教育学院学报》 2020年第6期67-73,共7页 Journal of Beijing Institute of Education
关键词 汪曾祺 小说美学 笔记小说 《受戒》 Wang Zengqi aesthetics of fiction literary sketches The Love Story of a Yong Monk
分类号 I206.7 [文学—中国文学]
