摘要 《味花簇》是15世纪梵语诗学家般努达多继承印度传统古典味论和梵语诗歌优秀传统而创作的一部理论著述和文学作品。般努达多顺应时代潮流,以语言美、情感美和意蕴美的形式,艺术地归纳和总结了艳情味论的精髓即女主角的9种类型、分离艳情味的10种状态、男主角的四分法等,抓住了虔信运动时期的艳情崇拜、毗湿奴崇拜的特点,因而以不求全而求精的巧妙方式,传达了具有承上启下、继往开来的理论旨趣和美学追求,并以各种诗律和庄严对艳情味进行的形象分析,构成了《味花簇》的基本特色和核心内容。 Rasamanjari is a theoretical and literary work created by the 15 th century Sanskrit poet Bhanudatta,which inherits the classical Indian taste theory and the excellent tradition of Sanskrit poetry.Following the trend of the times,Bhanudatta artistically summarizes the essence of eroticism in the form of language beauty,emotional beauty and connotative beauty,namely,9 types of heroines,10 states of the separation of erotic taste and 4 types of heroes,grasps the characteristics of the worship of eroticism and Vishnu during the Bhakti Movement,and thus conveying the theoretical taste and aesthetic pursuit of connecting the past with the present and opening up the future in an ingenious way of seeking perfection.Its vivid analysis of amorous feelings and erotic taste with various poetic temperament and solemnity constitutes the basic characteristics and core content of Rasamanjari.
机构地区 四川大学南亚研究所
出处 《北京教育学院学报》 2020年第6期74-80,共7页 Journal of Beijing Institute of Education
基金 国家社科基金重大项目“东方古代文艺理论重要范畴、话语体系研究与资料整理”(19ZDA289)。
