摘要 [研究意义]晋唐正史“艺术传”中有关北魏服饰汉化改革的史料,运用文献法、图像法和比较法等方法进行分析,可以探究具有“胡汉杂糅”或“胡汉和合”的北朝服饰艺术表征的长期存在,与以平齐户出身的蒋少游为代表的艺术工匠在北朝孝文帝服饰汉化改革中的重要作用以及与北朝佛教造像艺术演变的密切关系。但是以往研究对于以古代“艺术”的学科视角来研究北魏服饰汉化改革的成果比较缺乏。因此,基于晋唐正史“艺术传”的角度,并以古代艺术史学的角度来考辩与研究北魏服饰汉化改革相关内容,则有利于丰富此研究的成果。同时也从一定的角度证明晋唐正史“艺术传”在古代服饰与佛教艺术研究之中的史学价值和实践意义,以及其在古代艺术研究中的意义与具有不可忽视的史学地位。 The historical materials of the reform of Clothing Han Assimilation of Northern Wei in the“Biography of Art”,and through the analysis of the methods of literature,image and comparison,it is possible to explore the long-term existence of the northern costume art with“Hu and Han hybrid”or“Hu and Han integration”,and the important role of artisans represented by Jiang Shaoying,who came from Pingqihu,in the reform of the Han dynasty of Xiaowendi costumes in the Northern Dynasty,and the close relationship with the evolution of The Art of Buddhist statues in the North Dynasty.However,previous studies were lack of the results of studying the reform of the Han assimilation of North Wei costumes from the perspective of ancient“art”.Therefore,based on the angle of“art biography”of history of Jin and Tang Dynasties,and from the perspective of ancient art history,it is helpful to enrich the results of this research by examining and studying the relevant contents of the reform of the Han assimilation of The North Wei costumes.At the same time,it also proves from a certain angle the historical value and practical significance of history of Jin and Tang Dynasties in the study of ancient costumes and Buddhist art,as well as its significance and historical status in the study of ancient art.
机构地区 江西师范大学美术学院
出处 《服饰导刊》 2021年第1期14-20,共7页 Fashion Guide
关键词 艺术传 服饰汉化 蒋少游 中国化 art biography costume Han assimilation Buddhist art Jiang Shaoyou Chinalization
