摘要 [研究意义]江苏省地处我国东部沿海发展地区,是中国古代文明发祥地之一,人文底蕴深厚,非物质文化遗产资源丰富,但对纺织类非物质文化遗产项目类型、批次、地区分布和包含的传统纺织技艺整理缺乏系统性研究,相关项目文化传承人和研究者缺少可查资料。[研究方法]文章以国务院公布的江苏省四批国家级纺织类非物质文化遗产和江苏省人民政府公布的四批省级纺织类非物质文化遗产项目为整理对象,运用图表绘制、比较论证、整理归纳等方法,系统分析江苏省国家级和省级纺织类非物质文化遗产项目类别、批次、地区分布和包含的传统染织技艺情况。[研究结果与结论]研究认为:江苏省国家级纺织类非物质文化遗产项目主要呈点状分布在长江三角洲区域,地区项目分布和各地区项目类别分布在数量上都呈巨大失衡现象,地区分布以苏州市为主;四个批次间数量下滑曲线平滑且趋势极其明显,受地区间民族、地理、历史、经济差异性等因素影响巨大;在传统染织工艺分类下的分布失衡情况比较严重。省级纺织类非物质文化遗产项目四批次间变化与国家级相比略有不同,但分析其在地区项目分布、各地区间项目类别分布、所属传统染织工艺范围等变化因素时,与国家级染织类非遗项目变化因素大致相同。 Jiangsu province is located in China's eastern coastal developed areas,it is one of the cradles of the Chinese ancient civilization,cultural heritage and intangible cultural heritage resources are rich,but there is limited systematic research for textile intangible cultural heritage project type,batch,regional distribution and the traditional textile technique with little information for referencefor the cultural inheritance and related projects.based on the State Council released textile four batches of national intangible cultural heritage in Jiangsu province and the four textile batches of provincial intangible cultural heritage projects announced by Jiangsu government,this paper conducts a systematic analysis of jiangsu national and provincial intangible cultural heritage project type,batch,regional distribution including the traditional dyeing techniques using chart drawing,comparison,demonstration and finishing methods of induction.The national textile intangible cultural heritage projects in Jiangsu province are mainly distributed in the Yangtze River Delta region,and the regional project distribution and the regional project category distribution are greatly unbalanced in quantity.The regional project distribution is dominated by Suzhou city.The decline curve of the four batches is smooth and the trend is extremely obvious,which is greatly influenced by ethnic,geographical,historical,economic differences and other factors among regions.Under the classification of traditional dyeing and weaving technology,the distribution imbalance is serious.The changes of the four batches of the textile intangible cultural heritage at the provincial level are slightly different from those at the national level.However,the changes of the four batches of the textile intangible cultural heritage at the provincial level are roughly the same as those at the national level in terms of the regional project distribution,the regional project category distribution,and the scope of the traditional dyeing and weaving technology.
机构地区 武汉纺织大学传媒学院
出处 《服饰导刊》 2021年第1期38-47,共10页 Fashion Guide
基金 湖北省档案馆项目《共建“纺织文化研究中心”》(WD192294)。
