摘要 自2011年我国学科体系将艺术学升格为学科门类之后,在学科建设与发展的特定背景下,我国艺术学界针对学科内涵及共性特征的研究被重视起来,特别是针对不同艺术历史呈现的融汇阐释,以及就跨学科与跨门类艺术史研究推进问题的探讨,引发越来越多的学术争鸣话题。有鉴于此,由本人主持的2020年度国家社科艺术学基金重大项目“跨门类艺术史学理论与方法研究”,提出了明确的概念——艺术史及艺术史学研究需要进行“跨门类艺术史学”的融合探究,这是打通并覆盖音乐、舞蹈、戏剧、戏曲、影视、曲艺、美术和设计等多门类艺术的综合艺术史学研究,具有跨门类的贯穿性和互融性特征。因此,艺术史研究可称之为“艺术共性史”或“一般艺术史”的史学研究。而给予支撑的,则是艺术史学理论与方法论的研究,这是促成具有概括整体艺术史及艺术史学研究的关键,是推进艺术史及艺术史学研究的重要前提。 Since China's disciplinary system upgraded art science to a discipline category in 2011,under the specific background of discipline construction and development,the research on the connotation and common characteristics of the discipline in China's art academia has been paid more attention to,especially the integration and interpretation of different art history presentations,and the discussion on the promotion of interdisciplinary and interdisciplinary art history research,which has caused more and more academic controversy Talk about the topic.In view of this,I presided over the major project“Research on the theory and method of cross category art history”sponsored by the national social science art foundation in 2020,and put forward a clear concept that the research on art history and art history itself need an integrated research of“cross category art history”,which is to open up and cover the arts including music,dance,drama,opera,film and television,folk art,art and design.The study of comprehensive art history of quasi art has the characteristics of cross category penetration and mutual integration.Therefore,the study of art history can be called the historical study of“art common history”or“general art history”.What supports it is the research on the theory and methodology of art history,which is the key to generalize the whole art history and art history research,and an important premise to promote the research of art history and art history itself.
机构地区 南京艺术学院研究院
出处 《工业工程设计》 2021年第2期103-110,共8页 INDUSTRIAL&ENGINEERING DESIGN
基金 2020年度国家社科基金艺术学重大项目(20ZD25)。
分类号 J0 [艺术—艺术理论]
